Wideboy Generation
Looters – Digital
single (self release)
Three piece Wideboy Generation hail from in and around the
M11 corridor. So, I’m guessing that ‘Looters’, a three minute slice of spikey
indie sticking a finger in the eye of
Engarrland’s rioting youth, is more of a TV inspired rhetoric rather
than a direct impact reaction. As far as I can recall, Bishops Stortford and
the surrounding areas were pretty much unscathed by events.
Produced by John Cornfield no less (Supergrass, Oasis, Muse)
the song starts well enough, punctuated by sharp guitar stabs and kit, and
fizzes along at breakneck speed hitting the first chorus in around twenty
seconds.
I can’t help feeling though that it’s missed a trick. It’s
just not as melodically sussed as The Jam’s ‘Strange Town ‘, Greenday’s
‘Basketcase’ or Supergrass’s ‘Caught by the Fuzz’. That and it somehow feels
like the middle eight-come-instrumental bridge is somewhat coerced and a little
uncomfortable, a forced smile at the party if you will.
It’s not all doom and gloom though. At 19 years old the boys
have time to hone their song writing, and there’s enough here to warrant
continued interest in what is a fledgling career after all. So, to the verdict.
The energy expelled and ‘Fresh Meat’ humor in the lyrics is to be admired but
we’re some way off buying the T-shirt for now
Blitz
Ordinary Life –
Digital Single (self release)
This certainly is a laid back affair, as far removed from any preconceptions conjured up by the band’s name as could possibly be. The band’s facebook lists The Verve as their only influence although I have to say the comparison is very hard to hear. If I’m honest it’s more a-kin to David Grey on beta blockers and I’m not sure if that’s to be advised without a parent or guardian present.
In song writing terms I’m afraid to say it’s the equivalent of
motorway driving. It gets you from A to B in the most direct way possible but is
ultimately rather dull.
Dresden
Cold Hands - Digital
single (self release
Black Cloud - Youtube
What they do deliver however, are epic slices of melancholic
indie with a defibrillated heart and electronic soul. Caught somewhere between
Elbow and Ultravox, ‘Cold Hands’ is a beautiful song that showcases Ryan
Magee’s vocals alongside the band’s sense for the dramatic. From wistful
beginnings the song builds to a climactic barrage of strings and guitar that
demands a much bigger stage, before drifting to a close.
The use of percussion and lazy bass on the introduction of new
song ‘Black Cloud’ has a touch of Massive Attack about it, with Magee’s vocals
(when they finally arrive) set a little deeper in the mix and veiled with
effects, think Ian Brown. The chorus is
once again anthemic and the outro of Magee’s simple yeah yeah yeah’s fighting
for supremacy with reverb-laden guitars seems a suitable way to end.
All in all it’s the sort of music that needs to be heard on
headphones or in arenas and probably nowhere in-between. Either way, it’s the
best thing to drop into our in box for a while.
Silver Sound Explosion
Sidekicks c/w Telephone Wired – Digital single (self
release)
This is Lo-Fi fuzzed up surf pop and there is no getting
away from the fact. So now we know what
we’re talking about, the question remains is it any good? Well, ‘Sidekicks’ is pleasant enough if
rather predictable. The chorus is lifted by Teenage Fanclub-esqe sunny harmonies
although the double tracking of the lead vocal throughout grates somewhat and
adds little to proceedings. It’s either a sound they like or a lack of vocal
confidence because the flipside ‘Telephone Wired’ takes the same approach, and
I can’t say it’s warranted here either. A more upbeat number, ‘Telephone Wired’
blusters along with early Marychain drums pushing things along and two finger
vibrato and reverb drench guitar solos well to the fore. You have to dig a
little deeper than in ‘Sidekicks’ to find the hook but that probably won’t
bother the enthusiasts.
In the great scheme of things I don’t think The Drums or The
Vaccines have much to be worried about. And with both songs well under the
three minute mark the listening experience is over before I have time to form
strong feelings either way. If you like the genre it’s probably worth a listen,
but I wouldn’t put money on SSE catching a big wave anytime soon.
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